Over the past two years Melissa and I have worked closely with Mark Allan Atwood on several projects and we have gotten to know him much better not only as a friend, but as a sounding board for our ideas about the Texas music industry. I think I know Mark well enough by now to voice my take on his songs without offending. Mark Allan Atwood has been a Texas musician and songwriter for many years and I consider him a Texas treasure. Not only is he one of the best singer songwriters around, he is one of the least appreciated in the business today. He has a quality and cohesiveness to his lyrics that, although not always apparent at first, subconsciously grow as one listens to the songs. The words pass through your ears and roll around in your head, then the true lyrical greatness, feelings, and depth of meaning follow after. He has a strong singing voice, clear and loud, or soft and low when required but always demanding your attention. It does not matter if it is a slow serious song or a belting ballad he annunciates the choruses with heart and feeling, and not an ounce of trepidation.
Listening to the rough tracks from several of the songs on the new CD “Burned at the Crossroads” I’ll admit I was a little nonchalant and cursory at first. Later I was able to listen more closely to the music and the complexities of his words while Melissa was developing the ideas she would later use as the album artwork.
I am going to get the only issue I have with this collection of great songs out on the table and up front. I also know it is a personal opinion. Not one that is unfounded, although it is an unpopular position with younger musicians today. It seems as if almost every songwriter has a signature song with references to Marijuana. It’s nothing new to the business, but it tends to limit the marketability of a song when it comes to airplay time. Let’s face it, the bottom line is in the end every song written has a dream of being a number one hit on the radio. Otherwise, why try to market the song in the first place. I personally would have liked to have seen at least two of the first four songs, be different songs. Preferably not three songs about drug use at the veritable beginning of what I think could be a defining point in Mark Allan Atwood’s musical career. I have no issues with the songs themselves per se, just the order they were placed in during engineering. I believe in putting your best foot forward so to speak, and one song with some vague references could be more easily acceptable in my humble opinion. Though I am suitably impressed he figured out how to use the word “Paraquat” in a song. . There I got it off my chest, let’s move on.
All that being said this collection of hit songs excels on every other level. Produced and engineered by Brimstone and Adam Odor (Stone Cringe) and recorded by the guys at Yellow Dog Studios, This CD touts guest appearances by Lloyd Maines and subtle background vocals by Bonnie Whitmore, and includes the songwriting talents of Heath Childs and Dennis Phillips. The top notch talent of the Brimstone band consists of Mark Allan Atwood on vocals, guitar, and harmonica, Wayne O’Neil on lead guitar, Matt Nunn on Bass, Rich Tulp on Drums, and “Uncle” Mitch Connell on Piano and B3 organ.
There are many reflective and precise songs on this CD, and every one is unique and imaginative. Some are dark, and some are retro and groovy like the song “Liar”, but every song on the CD invokes common feelings we all have at some point in our lives.
“Anyone listening” is one of the most powerful songs I have ever heard. Everyone has felt the cold grasp of loneliness at times. There are so many people in our world today who battle with loneliness and depression. From the plight of the elderly, to the struggling teenager, to the handicapped veteran, all of them are screaming out just to be noticed. Wanting anyone to acknowledge them, spend a moment or two talking with them, showing them they really matter and still have some worth in life. Another powerful and well written song is “Dead man”. It’s about the end of a relationship, and the beginning of the long hard road to surviving that loss. It speaks of the situations we create for ourselves, when we are forced to accept the harsh reality of life without someone we rely on. In “Good Old Days” and “Ocalla Road” Mark sings about nostalgia for the things of an earlier time, and a younger world when life seemed more safe and simple. By far the most fun song is “Good Dog”. The gals will giggle, and the guys will say sheepish things but the truth is a dog really can be a man’s best friend. When it comes to unconditional love, a good one can’t be beat.
Finishing up, I want to comment on “Ghost”, and “California ” two of the premiere songs on the CD. Singers like Townes Van Zandt and Doug Sahm were the pioneers who forged the way for many early Texas and Americana musicians. Townes’ lyrical style has always been a driving force for Texas songwriters. They all want to write songs as close to his style as they can. His music was raw and gutsy, and definately not flashy or mainstream. Musicians struggle to write songs like those and still remain unique and different, and then to be acknowledged as such. It works really well but sometimes it works too well. “Ghost” is about the spirit of Van Zandt always being present for some. There is always one guy in the crowd who wants to hear “Pancho and Lefty”. Listen carefully to the words of “Ghost” and you’ll hear a little bit of TVZ in every sentence. Then skip on over to “California ” at the end of the CD. A haunting dreamscape Mark paints of the California Gold Rush and a mine cave-in in a small town. The song begins with a first person narrative from a trapped miner awaiting rescue that never comes. Then the story changes to the point of view of the great, great grandson of that very same miner and a revelation of what it must have been like. Mark Allen has written a spectacular song, with a twisted and riveting ending. My final opinion on Mark Allan Atwood’s composition “Burned at the Crossroads” is this is one of the most down to earth, bare bones, hard hitting CD’s of the year. Raw, emotional, entertaining, and energetic, and one of my favorite CD’s of all times. Mark Allan Atwood and Brimstone are a fast rising force in Texas Music today and all I can say is great work, and keep ‘em coming!
Dale Arnold
Co-owner, Co-producer
~Where LIVE music is an addiction!